June 13
June 13 a song by Harry Partch on
Jamfy
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I am Harry Partch
by
Harry Partch
,
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I'm going to start right off by giving you some sounds…
by
Harry Partch
,
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June 11, 1935 — Santa Rosa, California
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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By the Rivers of Babylon
by
Harry Partch
,
William Wendlandt
,
Lee Hoiby
,
Christine Charnstrom
,
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No. 1, Isobel
by
Harry Partch
,
Lola Harding
,
Dorothy Holden
,
Hilmar Luckhardt
,
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June 12 — Federal Shelter, Stockton
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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A Wagnerian Wrestling Match
by
Harry Partch
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No. 2, Annah the Allmaziful
by
Harry Partch
,
Lola Harding
,
Dorothy Holden
,
Hilmar Luckhardt
,
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June 13
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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A Dream
by
Harry Partch
,
William Wendlant
,
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Dark Brother
by
Harry Partch
,
William Wendlandt
,
Lee Hoiby
,
Christine Charnstrom
,
Fralia Hancock
,
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June 14
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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An Encounter in the Field
by
Harry Partch
,
William Wendlant
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Prelude to Talk
by
Harry Partch
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June 16 — Harrington Ranch, San Joaquin Delta
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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On Hearing the Flute
by
Harry Partch
,
William Wendlant
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Introduction to Examples Oo Intonation
by
Harry Partch
,
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June 17
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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The Intruder
by
Harry Partch
,
William Wendlant
,
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Scale of Olympos (Pentatonic)
by
Harry Partch
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July 4
by
Harry Partch
,
Warren Burt
,
Sheila Guymer
,
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I am a Peach Tree
by
Harry Partch
,
William Wendlant
,
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Enharmonic Scale of Archytas; Separated by 3/2's; Triads
by
Harry Partch
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With a Man of Leisure
by
Harry Partch
,
William Wendlant
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Scale of Pythagoras; Separated by 3/2's; Triads
by
Harry Partch
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A Midnight Farewell
by
Harry Partch
,
William Wendlant
,
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Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
by
Harry Partch
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Before the Cask of Wine
by
Harry Partch
,
William Wendlant
,
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Ptolemy's Equable Diatonic; Separated by 3/2's
by
Harry Partch
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On the Ship of Spicewood
by
Harry Partch
,
William Wendlant
,
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Terpander's Hexatonic
by
Harry Partch
,
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By the Great Wall
by
Harry Partch
,
William Wendlant
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Close Degrees
by
Harry Partch
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The Use of English in Serious Music
by
Harry Partch
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True and Tempered Triads
by
Harry Partch
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8 Hitchhikers' Inscriptions
by
Harry Partch
,
William Wendlandt
,
Lee Hoiby
,
Christine Charnstrom
,
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Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
by
Harry Partch
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A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
by
Harry Partch
,
Lee Hoiby
,
Christine Charnstrom
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Fox-Strangeways Resolutions
by
Harry Partch
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Life Is too precious to spend It with important people
by
Harry Partch
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Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
by
Harry Partch
,
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A Musical Account of a Transcontinental Hobo Trip
by
Harry Partch
,
William Wendlandt
,
Lee Hoiby
,
Christine Charnstrom
,
Fralia Hancock
,
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Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
by
Harry Partch
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My Heart Keeps Beating Time
by
Harry Partch
,
Philip Blackburn
,
Liz Schmidt
,
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Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and
by
Harry Partch
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San Francisco II
by
Harry Partch
,
Mark Enslin
,
Keith Johnson
,
Arun Chandra
,
Rick Burkhardt
,
Lesley Olson
,
Sarah Wiseman
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Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
by
Harry Partch
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Melodic Subtleties from the Bewitched
by
Harry Partch
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Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
by
Harry Partch
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Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
by
Harry Partch
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